PATTERNS OF CREATING SUSPENSE IN STEPHEN KING'S THE SHINING
Vol. 2, Issue 1, pp. 43-58 Full text
Web of Science: 000449158900005
Maria Anastasova https://orcid.org/0000-0002-2240-2188
South-West University Neofit Rilski, Blagoevgrad, Bulgaria
The article focuses on the ways of creating suspense in Stephen King's novel The Shining. Its main purpose is to explore the basic suspense motifs in the book and establish some general patterns of their development and distribution throughout the novel. After providing a theoretical definition of what suspense is, the paper sets to explore the ways it is achieved in the novel. A toolkit is adopted from narrative theory, in order to analyze the ways of building suspense in terms of narration. The study shows that the suspenseful motifs in The Shining can be divided into three groups according to their operation in the text: gradually developed suspense motifs, climactic suspense motifs, and mini episodes of suspense.
Keywords: suspense, suspense motifs, Stephen King, The Shining
Submitted: 20 March 2016;
Reviewed: 27 May 2016;
Accepted: 1 August 2016;
Published: 20 August 2016
Anastasova, Maria. (2016). Patterns of creating suspense in Stephen King's The Shining. English Studies at NBU, 2(1), 43-58. https://doi.org/10.33919/esnbu.16.1.4
Copyright © 2016 Maria Anastasova
This open access article is published and distributed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (CC BY-NC 4.0), which permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited. If you want to use the work commercially, you must first get the authors' permission.
Carroll, N. (1990). The Philosophy of Horror or Paradoxes of the Heart. Routledge.
Carroll, N. (1996). Theorizing the Moving Image. Cambridge University Press.
Carroll, N. (2003). Beyond Aesthetics. Cambridge University Press.
Casebeer, E. (1996). The Art of Balance: Stephen King's Cannon. In T. Magistrale and M. Morrison (Eds.), A Dark Night’s Dreaming: Contemporary American Horror Fiction, (pp. 42 – 54). University of South Carolina Press.
Dymond, E. J. (2015). Objectivity and the Overlook: Examining the Use of Multiple Narratives in Stephen King's "The Shining". The Explicator, 73(2), 124-128. https://doi.org/10.1080/00144940.2015.1030585
Genette, G. (1983). Narrative Discourse: An Essay in Method. Cornwell University Press.
Jahn, Manfred. (2005). Narratology: A Guide to the Theory of Narrative. http://www.uni-koeln.de/~ame02/pppn.htm#N1
King, S. (1992). The Shining, Carrie, Misery. Chancellor Press.
Magistrale, T. (2010). Stephen King: America's Stroyteller. Santa Barbara, California: Praeger, ABC Clio.
Reino, J. (1988). Stephen King The First Decade, Carrie to Pet Cemetery. Twayne Publishers.
Russell, S. (1996). Stephen King: A Critical Companion. Greenwood Press.
Truffaut, F. (1983). Hitchcock. Touchstone.
Zillmann, D. (1980). Anatomy of Suspense. In P. H. Tannenbaum (Ed.), The Entertainment Functions of Television, (pp. 133-163). Lawrence Erlbaum Associates.