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THE POLITICS AND AESTHETICS OF STORYTELLING IN DIANA ABU-JABER’S CRESCENT: A STRATEGIC IMPLEMENTATION OF AN OLD FOLKLORIC ARAB TRADITION



Vol.6, Issue 1, 2020, pp. 127-144 /Full text

DOI https://doi.org/10.33919/esnbu.20.1.6 ☍
WoS:

Authors:
Ishak Berrebbah /https://orcid.org/0000-0002-4355-2214 ☍
Affiliation: Coventry University, UK

Abstract
This paper discusses the politics and multi-functionality of storytelling in Diana Abu-Jaber’s novel Crescent (2003). I argue that the strategic use of storytelling places Crescent as a complex hybrid text that projects the nature, and development, of Arab American literature in the contemporary era. In addition to having the practice of storytelling as an apparatus to project identity in Crescent, Abu-Jaber re-appropriates its empowered status in Arab culture as well as politicizes its image in the mind of her readers. Besides employing critical and analytical approaches to the novel, this paper relies on arguments and perspectives of prominent postcolonial and literary critics and theorists such as Edward Said, Suzanne Keen, Walter Benjamin, and Somaya Sami Sabry, to name a few.

Keywords: Arab American, orality, storytelling, identity, Diana Abu-Jaber, hybrid text

Article history:
Received: 19 April 2020;
Reviewed: 29 April 2020;
Revised: 8 May 2020;
Accepted: 10 May 2020;
Published: 30 June 2020

Citation (APA):
Berrebbah, I. (2020). The Politics and Aesthetics of Storytelling in Diana Abu-Jaber’s Crescent: A Strategic Implementation of an Old Folkloric Arab Tradition. English Studies at NBU, 6(1), 127-144. https://doi.org/10.33919/esnbu.20.1.6 ☍

Copyright © 2020 Ishak Berrebbah

/ This open access article is published and distributed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (CC BY-NC 4.0), which permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited. If you want to use the work commercially, you must first get the authors' permission.

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